Sofia Gubaidulina. Chaconne for piano. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Sofia Gubaidulina. Publisher: G. Schirmer. Chaconne (). Work Notes. available in the USA, Canada and Mexico only. Publisher. Hans Sikorski/VAAP. Sofia Gubaidulina (b. ) Chaconne (). Gubaidulina composed this piece, one of the earliest in her catalogue, in , when she was.
|Published (Last):||14 September 2016|
|PDF File Size:||13.2 Mb|
|ePub File Size:||8.74 Mb|
|Price:||Free* [*Free Regsitration Required]|
The slower secondary theme introduces a melodic element associated with the ostinato element of the previous theme. AllMusic Featured Composition Noteworthy.
Banco Bilbao Vizcaya Argentaria, S. From this point on, much of the music refers to motivic elements in the chorale, in continuing atmospheres of strangeness, with the chorale melody occasionally coming fully into focus. Specifically, she is prone to utilizing elements of the Fibonacci sequence or the Golden Ratioin which each succeeding element is equal to the sum of the two preceding elements i.
After a crashing climax, the tempo becomes slower and the music quieter, and the textures rebuild themselves from the basic harmonic relations suggested by the theme.
In the development section, these sets are explored melodically, while the dotted rhythm figure gains even more importance.
The resulting numbers govern the lengths of sections and subsections, in what is a new prelude on the same chorale, scored for harpsichord yubaidulina solo string quintet. For Gubaidulina, music was an escape from the socio-political atmosphere of Soviet Russia.
Then the right hand begins quietly insisting on F sharp and leading the music astray, if still within fields of the Baroque: Elements of the theme are treated in dialogue by the solo flute and violin, but the keyboard comes to assert itself as the dominant solo instrument, with passages where it is unaccompanied.
Rachmaninov, Gubaidulina, Tchaikovsky, Scriabin. She achieves this through the use of micro-chromaticism i. The third movement is constructed of 7 episodes, in which there is a continuous liberation of energy accumulated during the previous movement. She does it through narrower means of intervallic and rhythmic relationship within the primary material of her works, by chzconne to discover the depth and mysticism of the sound, as well as on a larger scale, through carefully thought architecture of musical form.
Nikolai Demidenko Live at Wigmore Hall. In the early s, she began to gubaidulinna the Fibonacci sequence as a way of structuring the form of the work.
Retrieved 16 September It begins with a properly sonorous, arresting eight-bar idea, potent with harmonic possibility, and the initial moves Gubaydulina makes with it — quickening the tempo of the accompaniment, moving the idea from top to bottom to middle, overlaying a melody in another rhythm — would have been familiar to Bacheven if the quite modern harmonies would not have been. In she became Honour Professor of the Kazan Conservatory.
Musical expression in this work is achieved through a variety of means. They enter into that layer of our consciousness which is not logical, they are at the boundary between the conscious and the subconscious”. July Learn how and when to remove this template message.
Chaconne for piano | Details | AllMusic
After discovering music at the age of 5, Gubaidulina immersed herself in ideas of composition. Two bubaidulina aspects of the sonata—the driving force and the meditative state—can be seen through the architecture of the work as portraying the image of the cross. Complete Works for Solo Piano. Soon this music too has begun racing, and one last chacinne run up the keyboard sets the stage for the unaltered return of the initial ciacona theme. The possibility for string instruments to derive pitches of various heights at one and the same place on the string can be experienced in music as the transition to another plane of existence.
The key is C major, but the music is soon moving away from this easeful tonality, and that process continues through the continuation, in which the material is developed — first, as before, with flute and keyboard to the fore, then violin and keyboard.
Views Read Edit View history.
Drinking Hanging Out In Love. She was supported, however, by Dmitri Shostakovichwho in evaluating her final examination encouraged her to continue down her path despite others calling it “mistaken”. She often treats musical space as a means of attaining unity with the divine—a direct line to God—concretely manifest by the lack of striation in pitch space.
Please help by adding reliable sources. In she was elected as a foreign honorary member of the American Academy of Arts and Letters. Share on facebook twitter tumblr.
She was awarded a Stalin fellowship.