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Klezmer Classics Planet Earth Score: F Horn II 2. The following movement features a rather unconventional instrumental group: Besides composing, Johan de Meij is also very active in various musical fields. This group eventually provides the accompaniment for an extensive marimba solo, gradually producing a sort of gamelan effect.
Congratulations are therefore warranted to the organisers and especially the composer for giving us another European test piece that deserves greater exposure than just this single weekend. We think it is a fine piece. AM Hal Leonard Instrumentation: However, the metamorphosis quickens as we progress and the traditional fugue effect of added subjects becomes mixed.
Bb Trumpet II 2. The piece itself is about 16 and a half minutes long and basically falls into a number of clearly defined sections. His catalogue consists of original compositions, symphonic transcriptions and arrangements of film scores and musicals. It is however a work of real beauty and elegance allied to some amazingly complex technical writing.
EXTREME MAKE-OVER – Parts & Score – Just Music – Brass Band Music and CDs
Additional Parts scode European countries only] 1. There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible.
Underscoring this all is an extended Extreem solo which becomes more and more complex as it heads to makeoevr conclusion and is joined finally by the xylophone and the remaining brass players.
Bb Trumpet III 2. The opening section is set as a simple quartet, played and marked semplice by two solo cornets, a horn and euphonium. Some of the technical writing is frightening in its difficulty and no one is spared.
Johan de Meij Amsterdam, September Bb Trombone I T. Trombone II C 2. The build to the final section will tax bands to the full and contains a subtle key change or does it?
It is certainly something different, but something that really does work well. Bb Bass Clarinet 2. Eb Horn III 1. This is a cracker of a test piece. The main theme of the Andante cantabile is based on a Russian folksong. It is a brilliant idea that comes startlingly to life. Again meik volume throughout is high, mekj the key may well be to play it just below maximum as to create the effects that are written clearly into the score. F Horn I 2.
Hurtling through each instrumental group, it leads us to a festive conclusion. Trombone I C 2. Bb Bass Tuba B. The addition of the lower second results in a completely new sound world, completing the first metamorphosis. He is much in demand as a guest conductor: His other larger compositions, such as Symphony no. Bb Trumpet I 2.
It is marked Andante Cantabile as befits the original and could easily win or lose the contest for any band if approached in the wrong manner.
It does however go on a bit, and there is the thought that it is used in a way to give the ragged lips of the players a bit of a rest before they are asked for more pain in the final section of the work.
In Extreme Make-over this theme is introduced in its original form by a brass quartet consisting of two cornets, alto horn and euphonium. Eb Alto Sax II 2. Bb Trumpet IV 2.
de Meij, Johan – Extreme Make-over (Score & Parts)
Bb Trombone II T. English Horn F 1. Finally, at we come to final climax with a subtle little echo of scpre Overture underscored in the 3rd cornet and flugel and with the bells peeling. The overall texture completely changes as individual lines become lost and reappear in different forms, times and settings, and complex rhythmic patterns emerge from what is seemingly musical chaos. It ends with a quote from Tchaikovsky’s 4th Symphony, before we come to what will be a section of writing that will surely be talked about for years to come.
On the Site 4barsrest Shop Podcasts 4br Vision. Eb Horn I 1.
2005 European Championships – Extreme Make-Over – Set Test Piece
The middle section is a tad overlong and can be seen as an attempt to rest the players before the final onslaught. Eb Horn II 1. This fragile movement is joined seamlessly to the finale, a canonic treatment of the theme.
Bb Clarinet I 6.